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・ Songs of Pain
・ Songs of Patience
・ Songs of Praise
・ Songs of Praise (disambiguation)
・ Songs of Praise (hymnal)
・ Songs of Praise (Poison Girls album)
・ Songs of Praise (The Adicts album)
・ Songs of Prey
・ Songs of Pride...Charley That Is
・ Songs of realization
・ Songs of Scotland (Jo Stafford album)
・ Songs of Shame
・ Songs of Silence
・ Songs of Sinatra
・ Songs of Stars and Shadows
Songs of Sunset
・ Songs of Survival Vol. 2
・ Songs of Syon
・ Songs of thanksgiving (pesukei dezimra)
・ Songs of the American Spirit
・ Songs of the Beatles
・ Songs of the Cat
・ Songs of the Century
・ Songs of the Civil War
・ Songs of the Doomed
・ Songs of the Dying Earth
・ Songs of the First World War
・ Songs of the Free
・ Songs of the Great Dominion
・ Songs of the Heart


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Songs of Sunset : ウィキペディア英語版
Songs of Sunset

''Songs of Sunset'' is a work by Frederick Delius, written in 1906-07, and scored for mezzo-soprano and baritone soli, SATB chorus and large orchestra. The words are by Ernest Dowson.
It was published in 1911, and a German translation was made by Delius's wife Jelka Rosen, as ''Sonnenuntergangs-Lieder''.〔(IMSLP )〕
The work was first performed at the Queen's Hall in London on 16 June 1911 at an all-Delius concert in the presence of the composer, conducted by his great champion Thomas Beecham.〔(Thompsonian.info )〕 The soloists were Julia Culp and Thorpe Bates, with the Edward Mason Choir and Beecham Symphony Orchestra. Other works performed that night were ''Paris: The Song of a Great City'', the ''Dance Rhapsody'', and ''Appalachia''.
The occasion was also the first meeting of Delius with Philip Heseltine, then a 16-year-old Eton schoolboy, who had seen a copy of the score and wanted nothing more than to hear it. The school's permission had to be obtained for him to attend the concert. That meeting led to a lifelong friendship between the two, even though Delius was almost 33 years older than Heseltine.〔(Barry Smith, ed., ''Frederick Delius and Peter Warlock: A Friendship Revealed'' )〕
''Songs of Sunset'' was dedicated to the Elberfeld Choral Society,〔 whose chief conductor Hans Haym was one of Delius's greatest supporters in Germany.〔(Stone Records )〕 The Elberfeld chorus performed it first in 1914.〔 Hans Haym later wrote, "This is not a work for a wide public, but rather for a smallish band of musical isolates who are born decadents and life's melancholics".
==Words==
The work consists of eight poems by Ernest Dowson:
* No. 1. "A song of the setting sun!" (chorus)
* No. 2. "Cease smiling, Dear!" a little while be sad (mezzo-soprano, baritone)
* No. 3. "Pale amber sunlight falls across" (chorus)
* No. 4. "O Mors!" (''Exceeding sorrow consumeth my sad heart!'') (mezzo-soprano)
* No. 5. "Exile" (''By the sad waters of separation'') (baritone)
* No. 6. "In Spring" (''See how the trees and osiers lithe'') (chorus)
* No. 7. "I was not sorrowful, I could not weep" (baritone)
* No. 8. "Vitae summa" (''They are not long, the weeping and the laughter'') (mezzo-soprano, baritone, chorus).〔〔(The Lied, Art Song, and Choral Texts Archive )〕
A setting for voice and piano of "Vitae summa", written in Jelka Rosen's hand, was found in Delius's papers after his death; it may have been his first thoughts about the music.〔
Delius had originally also set Dowson's poem "Non sum qualis eram bonae sub Regno Cynarae" for baritone solo and orchestra, as part of the score, but abandoned it as not fitting well with the overall scheme. It lay forgotten and not quite complete until 1929, when Eric Fenby discovered it and prompted Delius to complete it as a separate work in its own right, which he called ''Cynara''.〔(allmusic )〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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